Kevin Dillard - Intelli-Shred [2007, PDF + MP3, ENG]
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Files
| Intelli-Shred.pdf | 33.27 MB | ||
| IntelliShred | |||
| Default Playlist.m3u | 6.54 KB | ||
| Track 01.MP3 | 1.43 MB | ||
| Track 02.MP3 | 395.92 KB | ||
| Track 03.MP3 | 1.02 MB | ||
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| Track 18.MP3 | 1.02 MB | ||
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| Track 80.MP3 | 1.02 MB | ||
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| Track 82.MP3 | 1.39 MB | ||
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| Track 85.MP3 | 339.23 KB | ||
| Track 86.MP3 | 1.04 MB | ||
| Track 87.MP3 | 1.11 MB | ||
| Track 88.MP3 | 859.52 KB | ||
| Track 89.MP3 | 856.45 KB | ||
| Track 90.MP3 | 1.32 MB | ||
| Track 91.MP3 | 1.31 MB | ||
| Track 92.MP3 | 1.2 MB | ||
| Track 93.MP3 | 1.19 MB |
Description
Книги и журналы » Ноты и Музыкальная литература » Самоучители и Школы
Kevin Dillard - Intelli-Shred / Кэвин Диллард - Скоростная техника
Инструментальная принадлежность: Электрогитара
Жанр / Тематика / Направление: Учебное пособие
Автор: Kevin Dillard
Издательство: Alfred Publishing Company, 2007
Серия: National Guitar Workshop
Язык: Английский
Формат: PDF + MP3
Битрейт аудио: 192 кбит/сек
Количество страниц: 96
ISBN: 0-7390-4745-0
Качество: Отсканированные страницы
Описание: Мышление соло гитариста Kevin Dillard - Intelli-Shred
Kevin Dillard представляет книгу Intelli-Shred, которая позволит гитаристам поднять свою игру на совершенно новый уровень. Intelli-Shred предлагает глубокий взгляд в механике и концепции удивительных соло легендарных гитаристов, как Yngwie Malmsteen, Paul Gilbert, Steve Vai, Joe Satriani, Randy Rhoads, John Petrucci и мноших других. Книга Kevin Dillard - Intelli-Shred позволяет изучать теорию мелодичных модельных форм и арпеджио, а так же различные способы их применения в соло игре.
Упражнения и этюды книги Kevin Dillard - Intelli-Shred служат основанием для оспаривания и одновременно содержат мотивацию в построении вашей скорости, ловкости и знаний грифа. Включенный в книгу диск, демонстрирует все примеры упражнений и этюдов. Книга Kevin Dillard - Intelli-Shred содержит ноты и табулатуры.
[spoiler="Содержание"]
About the Author........................................................................................................................................4
Introduction..................................................................................................................................................5
Practice vs. Jamming.................................................................................................................................6
Some Tips for Organizing Your Practice Time.......................................................................................7
The Art of Productive Practice.................................................................................................................8
Chromatic Chaos ......................................................................................................................................
Outside Picking........................................................................................................................................H
Inside Picking...........................................................................................................................................12
Finger Permutations.................................................................................................................................
Double Picking.........................................................................................................................................
Psycho Triplet Exercises..........................................................................................................................17
G Blues Lick.............................................................................................................................................19
More Psycho Triplets...............................................................................................................................19
More Double Picking...............................................................................................................................21
String-Skipping Pedal Tones....................................................................................................................22
The Modal System....................................................................................................................................23
Shape Shifting............................................................................................................................................24
A Aeolian Mode......................................................................................................................................24
B Locrian Mode.......................................................................................................................................27
C Ionian Mode.........................................................................................................................................29
D Dorian Mode........................................................................................................................................31
E Phrygian Mode.....................................................................................................................................33
F Lydian Mode.........................................................................................................................................35
G Mixolydian Mode................................................................................................................................37
Harmonic Minor Scale............................................................................................................................38
Phrygian Altered Scale............................................................................................................................40
Blues Scale and Minor Pentatonic Extension.......................................................................................41
Minor 7th Arpeggio Patterns..................................................................................................................45
Extended Arpeggios................................................................................................................................46
Diminished 7th Arpeggios......................................................................................................................51
String-Skipping Arpeggio Shapes..........................................................................................................54
Four- and Six-Note Patterns....................................................................................................................56
Major 7th Arpeggio.................................................................................................................................57
Ascending Diminished 7th Arpeggios...................................................................................................58
Looping with A Aeolian and B Locrian................................................................................................58
Symmetrical Shapes Applied..................................................................................................................59
More Licks................................................................................................................................................60
Tapping.....................................................................................................................................................61
Modal Arpeggios.......................................................................................................................................64
[/spoiler]
[spoiler="Скриншот страницы"]
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Доп. информация: Табулатура с примером mp3 в медленном и быстром темпе.
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