Remote Viewers 2013 Crimeways

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Added 9 years ago by wwino in Music  > Lossless

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Remote Viewers 2013 Crimeways (Size: 287.07 MB)
  01 - Crimeways.flac 25.03 MB
  02 - The Mark On The Wall.flac 21.77 MB
  03 - On A Quiet Front.flac 24.44 MB
  04 - A Strayed Riveter.flac 23.41 MB
  05 - Woken By Water.flac 46.91 MB
  06 - Three Faces West.flac 25.8 MB
  07 - New Statues.flac 33.19 MB
  08 - Vague Boxes.flac 26.63 MB
  09 - Mass Isolation.flac 57.73 MB
  The Remote Viewers - Crimeways.accurip 1.57 KB
  The Remote Viewers - Crimeways.cue 1.93 KB
  The Remote Viewers - Crimeways.log 3.87 KB
  The Remote Viewers - Crimeways.m3u 236 B
  art
  Scan.jpg?042148 615.54 KB
  Scan0001.jpg?042148 395.74 KB
  Scan0002.jpg?042148 230.5 KB
  Scan0003.jpg?042148 103.91 KB
  Scan0004.jpg?042148 706.46 KB
  Scan0005.jpg?042148 129.33 KB
  aucdtect.log 2.37 KB
  foo_dr.txt 1.27 KB
  i.txt 7.59 KB
  ▲ 22 total files

Description


The Remote Viewers ~ Crimeways ~ 2013
self-released RV11.

http://i1.imageban.ru/out/2017/08/26/b6d2f853a616fb564fc9154c59c279bd.jpg?042148

1. Crimeways
2. The Mark On The Wall
3. On A Quiet Front
4. A Strayed Riveter
5. Woken By Water
6. Three Faces West
7. New Statue
8. Vague Boxes
9. Mass Isolation

David Petts: tenor sax
Caroline Kraabel: alto sax
Sue Lynch: tenor sax
Adrian Northover: alto, soprano, sopranino saxes, electronics
John Edwards: double bass, electronics, rhythm programming
Rosa Lynch-Northover: keyboards, tuned percussion

On this new CD the aesthetic mutates again. The instrumentation - four saxophones, used orchestrally and for the most part chordaly, contrabass, tuned percussion, rhythm programming and small electronics are sparsely used in highly compositional contexts. There's a great attention sound and the careful disposition of parts to maximum effect. Discipline, containment, dissonance, tension and the judicious use of the electronics and tuned percussion bind the otherwise spiky components into a cautious aesthetic unity. Strong rhythmical structures are grids not grooves, and there is always contrary motion to prevent closure; irresolution drives everything onward but not really forward. This is more like contemporary music than anything else, but it spends a lot of time not sounding like contemporary music, or rock, or jazz, or anything else much - except in passing. Another interesting record. - Chris Cutler, ReR Megacorp

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